The Dynamic Duo: Carrasquillo and Malpere
Davis Carrasquillo
Fashion editor and stylist Davis Carrasquillo and visual artist and milliner JR Malpere form the partnership that brings the captivating Hat Beauty Story you have just seen to life. In our interviews with each one, we delved into their creative processes and explore the inspirations that shape their collaboration and individual works.
How did your journey into the fashion industry begin and what motivated you to become a fashion editor and stylist?
My journey began at Universidad del Sagrado Corazón in Puerto Rico, where I studied journalism and photography. A pivotal connection with a classmate, who later became the editor-in-chief of n-punto Magazine, opened the door for my role as a fashion editor. This early experience provided valuable insights into the fashion industry.
After graduation, I relocated to Miami to join Vanidades USA as a contributing fashion and beauty editor. During my time there, I collaborated closely with the editor-in-chief and the editorial coordinator on innovative projects, worked alongside many celebrities and top models and played a crucial role in boosting readership and magazine subscriptions.
In 2002, I founded Davis NYCFE LLC, which allowed me to merge my passions for storytelling, design and editorial work. Throughout the years, I have had the privilege of working with iconic publications, such as Vogue, Harper’s Bazaar, Elle, L’Officiel, Grazia, VMan, W Magazine, Forbes, Cosmopolitan and GLAMOUR, among others.
These experiences have enabled me to connect designers’ visions with broader audiences and gain exclusive access to their collections.
In your experience, what are the key fashion trends that have shaped the industry over the past few decades and how do you see them evolving?
Over the past two decades, several significant trends have emerged. First, digital media and social platforms have revolutionised fashion consumption, making runway shows and editorial content more accessible to a global audience. Sustainability has also become a focal point, pushing designers to rethink materials and production methods. Additionally, the industry has seen a crucial shift toward inclusivity and diversity, striving to represent a wider range of voices and body types.
Looking ahead, I believe that digital innovation — including augmented reality and AI — will continue to shape the industry. Alongside this, sustainability and inclusivity will remain central themes as the fashion landscape continues to evolve.
How do you think fashion plays a role in self-expression and culture?
Fashion is a powerful form of self-expression and a reflection of contemporary culture. It goes beyond clothing to become an art form that communicates identity, emotions and cultural narratives. Throughout my career, whether styling editorials or working with leading fashion magazines, I’ve observed how fashion can be both deeply personal and globally influential.
It plays a pivotal role in shaping societal trends, reflecting cultural shifts and inspiring new ideas, serving as an ever-evolving dialogue between individuals and their world.
Any advice for aspiring stylists who want to make their mark?
Persistence and passion are essential. The fashion industry is highly competitive and demands both creativity and resilience. Build a strong network, collaborate with emerging photographers and designers and seize every opportunity to refine your craft. I also recommend that upcoming stylists listen to and learn from my audiobook, Starting a Career in the Fashion World: 8 Proven Strategies to Help You Launch a Successful Career in Fashion and Make Your Mark!, which is available on Audible and Amazon.
Jr Malpere
What inspired you to enter the industry and become a milliner?
My journey began as a visual artist; I hold a BA in Studio Art. During college, I explored theatre acting, which played a pivotal role in my path.
One of my acting teachers emphasised the importance of costumes in our scene study class. When I needed a sailor costume but couldn’t afford one, I decided to create it by hand, despite not knowing how to sew. That experience ignited my passion for design. After that, my Aunt Sue lent me her sewing machine, and Aunt Dot taught me to sew.
For years, I crafted clothing and handbags for family and friends. In 2009, I returned to school for formal training at The Fashion Institute of Technology (FIT) and Parsons School of Design, taking part-time classes at both institutions.
My interest in millinery blossomed during a costume design class at FIT, thanks to guest lecturer Rosemary Ponzo. She invited me to intern with her, encouraging me to make headpieces, and even wearing them to her events. That was a thrilling moment for me! Although I took a short break, a friend motivated me to pursue millinery again, guiding me to formal classes with a local milliner. This same friend introduced me to fashion stylist and editor Davis Carrasquillo, who first showcased my work in the fashion media. From there, I’ve been fortunate to build a wonderful clientele. I feel incredibly lucky!
Who are your biggest influences in the fashion world and how do they shape your work?
Many milliners from the past, such as Lilly Daché, Otto Lucas and Mr John, significantly influence my work. Coco Chanel and Roy Halston are also important figures for me, as both began their careers as milliners.
As an art student, I have always been fascinated by the headpieces and hats depicted in paintings. There are countless influences, each contributing to my perspective.
How would you define your design aesthetic and what unique elements do you incorporate into your designs?
My design aesthetic is deeply inspired by nature. I spend a lot of time outdoors, and I take great notice of everything around me; the shadows on the ground, the shapes of flowers, and the silhouettes of trees often spark my creativity for millinery shapes.I find the most beautiful colour combinations simply by observing the world around me.
In your designs, how do you find balance between what’s trending, clients’ needs and your personal design vision?
I prioritise understanding my clients’ needs and desires. I love hearing their thoughts and ideas. While listening, I reflect on how I can interpret these concepts through my own lens. Striking a balance is essential: I aim to meet them halfway, infusing their vision with my unique touch. Ultimately, my goal is to create something they will truly love.
How does it feel to see your designs worn by high-profile celebrities?
Seeing my designs on high-on high-profile celebrities has been incredibly rewarding. I’ve had the privilege of many wonderful opportunities, all of which I cherish deeply. I feel truly blessed to have my work recognised in this way. profile celebrities has been incredibly rewarding. I’ve had the privilege of many wonderful opportunities, all of which I cherish deeply. I feel truly blessed to have my work recognised in this way.